Temple Jewellery: A Classic Style Jewellery
Temple Jewellery's ageless and elegant attractiveness has always been an integral element of a woman's treasure box, particularly in India's southern states. South Indian Temple Jewellery is generally composed of gold and inlaid with valuable jewels and stones and is influenced by history and architecture, paintings, and figures of temples, deities, and goddesses like Lord Venkatesh. It has decorated goddesses and gods, princes, dancers, and common men and women throughout history as among the most exquisite and artistic kinds of ethnic Indian jewellery.
Temple Jewellery includes thick and hefty bangles, necklaces, earrings, nose rings, armlets, anklets, waist belts, and head adornments, all of which are no less gorgeous for their weight and size.
Temple Jewellery Through the Ages
Temple jewellery is thought to have originated in the 9th century AD, during the Pandya and Chola kingdoms' reigns. Historically, Temple Jewellery was created from gold, other valuable metals, and stones donated to temples in Southern India. The ornaments were then created for temple gods and imperial families to wear.
It is also thought that rulers presented their treasure to their temples for the adornment of the gods in an attempt to safeguard it. The Krishna Deva Raya, Pandya, and Chola kingdoms, which dominated Southern India between the 9th and 16th centuries AD, were Temple Gold ornaments aficionados who fostered talented craftsmen and funded temple jewellery studios.
Notwithstanding the Mughals' impact and following British administration, Temple Jewelry has maintained its original appearance and remains to do so now. Temple Jewellery could still be seen adorning the figurines of goddesses and gods at numerous temples, particularly on festival occasions.
Temple Jewellery has become connected with auspicious times and holy ceremonies over time and is now a must-have for every South Indian bride's wardrobe. Ancient designs and themes, like tamarappu, which means lotus flower, kokku which means crane, and Makara which means crocodile, are still used by goldsmiths today. Temple jewellery is considered to offer good luck and is donned on auspicious events and celebrations.
Today's Temple Jewellery
Previously, Temple Jewellery was meticulously created. The several temples in south India such as the Tirupati Balaji temple worshipping Lord Venkatesh inspired artisans, whose sculptures, drawings, and carvings were expertly copied in their work. The usage of machines has lowered the amount of time it takes to create these items nowadays.
Although Temple Jewellery was originally made of gold, it is now made of silver with gold polish and incorporated semi-valuable stones, making it more inexpensive and available. The usage of Polki and Kundan's work reflects the North Indian influence.
Famous Temple Jewellery concepts are influenced by gods and goddesses, temple tops, and spiritual statues and encompass Goddess Lakshmi and Lord Ganesh inspired pieces, coin ornaments and waist belts, and items crafted with peacock, swan, lotus flower, tree motifs, and leaves, and are worn by film stars, dancers, as well as fashion designers.
Temple jewellery is thought to inspire a divine presence each time it is donned because of its history and design. As a result, it is a must-have for brides who want to add a blessed and timeless aspect of heritage to their most important day. Temple jewellery is frequently used as a traditional counterpoint to a modern ensemble.
Temple Jewellery includes thick and hefty bangles, necklaces, earrings, nose rings, armlets, anklets, waist belts, and head adornments, all of which are no less gorgeous for their weight and size.
Temple Jewellery Through the Ages
Temple jewellery is thought to have originated in the 9th century AD, during the Pandya and Chola kingdoms' reigns. Historically, Temple Jewellery was created from gold, other valuable metals, and stones donated to temples in Southern India. The ornaments were then created for temple gods and imperial families to wear.
It is also thought that rulers presented their treasure to their temples for the adornment of the gods in an attempt to safeguard it. The Krishna Deva Raya, Pandya, and Chola kingdoms, which dominated Southern India between the 9th and 16th centuries AD, were Temple Gold ornaments aficionados who fostered talented craftsmen and funded temple jewellery studios.
Notwithstanding the Mughals' impact and following British administration, Temple Jewelry has maintained its original appearance and remains to do so now. Temple Jewellery could still be seen adorning the figurines of goddesses and gods at numerous temples, particularly on festival occasions.
Temple Jewellery has become connected with auspicious times and holy ceremonies over time and is now a must-have for every South Indian bride's wardrobe. Ancient designs and themes, like tamarappu, which means lotus flower, kokku which means crane, and Makara which means crocodile, are still used by goldsmiths today. Temple jewellery is considered to offer good luck and is donned on auspicious events and celebrations.
Today's Temple Jewellery
Previously, Temple Jewellery was meticulously created. The several temples in south India such as the Tirupati Balaji temple worshipping Lord Venkatesh inspired artisans, whose sculptures, drawings, and carvings were expertly copied in their work. The usage of machines has lowered the amount of time it takes to create these items nowadays.
Although Temple Jewellery was originally made of gold, it is now made of silver with gold polish and incorporated semi-valuable stones, making it more inexpensive and available. The usage of Polki and Kundan's work reflects the North Indian influence.
Famous Temple Jewellery concepts are influenced by gods and goddesses, temple tops, and spiritual statues and encompass Goddess Lakshmi and Lord Ganesh inspired pieces, coin ornaments and waist belts, and items crafted with peacock, swan, lotus flower, tree motifs, and leaves, and are worn by film stars, dancers, as well as fashion designers.
Temple jewellery is thought to inspire a divine presence each time it is donned because of its history and design. As a result, it is a must-have for brides who want to add a blessed and timeless aspect of heritage to their most important day. Temple jewellery is frequently used as a traditional counterpoint to a modern ensemble.
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