The Best Bass Amplifiers

In the same way, it happens with the amplifiers for bass and the amplifiers for guitar, really they are very different. In the market, there are a variety of shapes, sizes, colors, weight, etc ... so it is not easy to choose.

Another important aspect is to know that the sound of the bass depends on the wood, the pads, the type of strings that we install and are factors that we should not forget since it will be the raw material with which the bass amplifiers we plugin work and you always have to keep in mind that the public will not hear your bass, but your amplifier.

We show you our selection with the best quality/price amplifiers where you can choose from a wide range and with the guides that will help you choose your best option.

The Fender Rumble 100 V3 is a very light bass combo with a 12-inch speaker and 100 watts of power without connecting a preamp.

The new versions that Fender has been implementing are notorious and always respecting the quality with which it was designed. The silver fabric that covers the frame and the leatherette cover is very high quality, leaving a very interesting look.

The corners are chromed to protect it from possible blows, perfectly fulfilling its mission.

It is an interesting option if we plan to move a lot since the weight is very tight.

As for buttons, we find that they have a good touch and seem to last over time as they look solid.

Its 100w is not crazy power but enough to play with any band and rehearse comfortably.

It has auxiliar output, DI output and headphone input.

Ideal for rehearsals and rooms of medium and large size, and for musicians looking for a vintage tone with a limited budget.

The Ampeg SVT-7 Stack is composed of a head plus a specific screen with the SVT-410LF. It is one of the best selling among professionals, so it is easy to see it in video clips, direct and recording studios.

Its power does not leave impassive and its 4 10-inch speakers will shake the ground since it has nothing more and nothing less than 1000 watts.

It is a valve amplifier for bass built with the known 12AX7 and with a Class D power stage turning it into a hybrid.

It is definitely one of the most powerful choices in the market with great performance. In it, you will find an optimal result for any situation we are in.

Phil Jones Bass Four Four

The flagship of the brand and the Phil Jones Bass Four Four model is a clear example. It might seem at first glance an amplifier too expensive due to its performance, however, they have managed to manufacture it in a very economical way.

Its compact size and its handles make its transport very comfortable and its finish is of quality.

It offers two channels, each with identical 3-band EQ, having channel A has a connector compatible with XLR plugs and channel B with 4-ohm input.

The sensitivity and dynamics of the speakers is a positive factor to take into account with an attractive tone, with good projection, and with round bass despite being a mini-amplifier size.

Its power of 70 watts has a presence and stuck so it gives a feeling that it pushes something more of that and its line output allows us to record live.

The MarkBass micro-combo without usual tone controls, but with good sound.

Designed to be easily moved, we can have it at home and transport it to any corner or to the test ship without having to lift too much weight.

It has an 8 ″ speaker with 60w at 4 ohms and 50w at 8 ohms with a response frequency of 60 Hz to 8 kHz in just 6.6 kg of weight, which is a great achievement.

With it we can perform in theaters, churches, concert halls, especially suitable for medium sizes.

The best amplifier for beginners at a price more than good. Suitable for playing in the bedroom or in the basement, without disturbing the neighbors since at low power we can hear the nuances of our instrument, in addition to producing few annoying noises.

Focused on new musicians, it has enough power to play accompanied by drums and monitor us.

The robust design of the speaker and its design are acceptable with materials hard enough to last over time.

It has a headphone output to play in silence although where we will see it in its splendor will be if we take out the sound through its speaker that is rich and deep, quite complete.

If you are a bass player who is starting to play bass, the Roland Cube-20XL will give you many satisfactions, so much so that some experienced professionals use it in small shows due to its small size.

Roland does not stop innovating and that over the years is a factor that brings great value.

Its seven built-in effects are very useful to avoid having to carry more accessories and their corresponding cables and have COSM technology.

Its power generated by an 8 ″ and 20-watt speaker is not enough to cover a battery, or a rock band, but to practice with acoustic instruments without amplifying.

Very small size and 10 Watts with a 5 ″ double speaker and despite its size, it is capable of reproducing serious sounds. It looks so friendly that it might seem like a toy although clearly, it isn't. Its basket fabric and leather-look remind its older brothers of this well-known brand, respecting the aesthetics and design of the legendary VOX.

The price is perhaps the most surprising of all since it is more than reasonable.

The controls are quite simple among which we find, distortion, bass, treble, volume, brightness, in addition to the headphone output.

We have selected Acoustic B30 as the best amplifier for cheap bass and for direct bass.

It has a perfect balance between weight and power with its 12-inch speaker that yields 30 watts, which will allow us to put a microphone in front of the speaker and faithfully capture the warm sound that characterizes it.

Also valid for studio recordings although we must bear in mind that for its cost we will not find a high range.

Its characteristics are, however, comparable to others of the much higher price range. For example, the 4-band equalizer controls and separates bass, bass, medium, and treble, which makes it very easy to find the sound point that interests us.

The built-in compression can help us control the dynamics although it is true that we cannot modify certain parameters and cannot use it for all styles or situations.

The main function of a bass player is to enrich the rhythm, and with respect to drummers, they have the advantage of being able to play with the tone and duration of the notes. For the music to sound compact, it is necessary that the drummer and bassist be as complemented as possible and that not only they synchronize their internal clocks but also that their sound fill.

The measure by which we measure the volume is called watts. Not always having more wattage means that it sounds more since the frequency ranges greatly influence this aspect, and the larger the spectrum, the richer.

As a general rule we must have twice the watts of a guitar player, although they play with 50w we must do it with 100w to be balanced.

A loudspeaker with a larger diameter should be able to produce larger waves and therefore lower, serious and deep frequencies. Speakers under 15 ″ will have more presence in treble and media, which does not have to be negative, just a sound other than an 18 ″ speaker.

As they say "virtue is in the middle ground" that is why the best-sellers are usually 15 ", although all this depends on tastes and the styles we practice.

Having at least two channels is important, one to play clean and one for effects. If we have independent effect controls for each channel, we can have different equalizations and different effects, which allows us to immediately change the type of sound and comfortably.

Most have Jack connections, but it is also possible to find XLR, in some cases it allows to emulate that the signal has passed through a microphone.

Direct outputs are usually located on the rear panel giving us the option to connect it to an interface and be able to record it directly through the DI input.

Effect control with which we choose the amount of effect we want to introduce into the mix.

Gain control, the more we increase it the more saturation we will achieve, from softer sounds to warm saturates.

The accessories allow us to expand the properties and functionalities. For example, switchable power supplies are essential if we have to travel in countries with different plugs or different voltages.

The pedals are also important since with them we add new effects or we can change the channel and sounds with the press of a button, having our hands free to play.

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