Articles

Researchers use technology to virtually recreate concrete hall acoustics

by Pooja Arya Executive

If one really wants to have a look at the factors like the sounds of threads to the full and hearty woodwinds, live orchestral performances are known for showing up with the listeners within musical compositions. But not all symphonies are actually created for equal placement in which determining the factor is more important than the listener who is not listening and is not enjoying a live concert which actually relies on the venue itself.

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"In concert hall acoustics, a lot of consultants and musicians know they like the sense of being enveloped or feeling immersed and surrounded by sound in a room. Despite this fact, there's not a lot of research into what aspects of the sound field make you feel enveloped or how to predict a given hall is going to sound enveloping," said Matthew Neal, a doctoral candidate in Penn State's graduate program in acoustics.

With the support of faculty adviser Michelle Vigeant—an assistant professor of acoustics and architectural engineering—and a National Science Foundation CAREER Award, Neal is working in the College of Engineering's Auralization and Reproduction of Acoustic Sound Fields (AURAS) facility to measure subjective perceptions by virtually recreating concert hall acoustics.


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About Pooja Arya Freshman   Executive

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Joined APSense since, December 7th, 2016, From Jaipur, India.

Created on Dec 31st 1969 18:00. Viewed 0 times.

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