How to use "Chorreado" technique when painting?

Chorreado is usually a technique where the colors run everywhere in the canvas through gravity leaving textures and forms or shapes always reflecting movement. It is really an inherent part of the technique.

In order that it to work properly, it must wear movement around as well. Not until running together, the combinations of different textures and forms will combine properly; in any other case, an area or perhaps a fleck will probably be left out about the area where the texture have to have been combined simply because that one will likely be on top of the opposite - this is a mistake in the technique. Another mistake of the way is when the final image runs off a bit to at least one side on the canvas, so that the canvas has not been place on an even surface. It requires to function as the hand (or brush) with the artist during creation (animal oil paintings) that guides the final image any direction the artist wants.

The colour combination is completed within the canvas, despite the previous school teaching color combination (should be done out side the canvas) through this technique the color combination is performed if the colors are running all over the canvas and merging with each other since they produce textures and forms or shapes, as well as the white (sometimes important to create combinations between colors) is the white from the background canvas. To someone (artist) that knows light beer serigraphs and contains knowledge of the usage of halftone colors will realize that is really a similar strategy of color combination (with a lot more variants). The technique is fast a lot use, by itself once is practice can provide on its own textures and combinations which has a final image, and also this won't be look at a mistake but rather a not valid work. To be a valid painting technique the artist must be in charge of the process all the time is it doesn't artist in support of the artist who decides the direction, texture combination and movement from the final work, instead of the process.

The final work finished with this method will show a variety of thin and thick deposits of paint but actually the process has left behind a thin oil film on top of the surface used (or canvas). This original technique combined with creativity soul in the artist allows this artist expressing it's reasoning behind "beauty" (by which "beauty" always reflects movement); when used as being a drawing process by which through textures images are manufactured (for instance landscapes) or use as background for forms or shapes; or when forms or shapes are put from the images; or when images itself are forms or shapes, the ultimate combination will usually reflect a unique movement combination. Although color is most popular the reflection of these emotions, the thinness or raw movement of the textures can give us, in spite of the color or image done, a similar perception in regards to the artist moment emotion stage he was at, when painting figure oil paintings. The short pace where this technique works allows the artist to convey "as they feels at that time" the emotion stage he may be in; there isn't any stopping for cogitation while using the technique. It is just a means of pure inward imagery born the primary focus and soul on the artist and beauty becomes the perception of the artist emotions with the moving textures that about the final work the viewer "feels".

The primary exhibition of "Chorreado Expression through Technique" was done in the Alliance Frances in Lima, Peru on 1982, on 1988 in the Palm Beach County Council of the Arts, in Florida; on 1993 for the Portland State University, Oregon; on 2004 in the Mesa Public Library, in Arizona; all produced by identical artist.

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