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by Yeni Salma maneger

First of all, the budget I always read is very misreported. But I had a ton of frustrations on that movie. Nobody really knows the true story of that movie, which I unfortunately can’t tell you right now for other reasons which I’m sure you’ve read about as well. That being said, let me just put it to you this way: The first one was not how I wanted to start my directing career. When I got the rights to Dungeons & Dragons, I was a player for many years before that, I always intended to have the movie made but be an executive producer. I was a young guy – I got the rights very young – and come to Hollywood, use it as an entree in Hollywood and learn. So that was my original intention with the first movie.

It didn’t pan out that way for many reasons that have nothing to do with the making of a good, bad or indifferent movie. They have everything to do with politics and corporate politics and money matters quite frankly. By default I ended up directing the first movie, not wanting to. I will let you know that there was one point when I first came here in my original plan, where I actually had it set that the team making the movie was going to be Jim Cameron, Stan Winston doing all the effects, Digital Domain at the time. This was 1993, seven years before Lord of the Rings even existed and I was just going to be a producer on the movie, but really one that sits on the side and got to learn from these super talented guys.

For reasons that have nothing to do with me and have everything to do with the people that own the property, it has been a thorn in my side for now 20 years. No matter who buys the company that owns Dungeons & Dragons, it always seems to be a thorn against just letting the best possible movie get made.
 

I never knew about James Cameron. Were you involved with the Steven Spielberg story?

No, that was prior to me. I think that was 1984. As I understood the story from people that worked at TSR, Spielberg came to them I believe and Gary Gygax wanted to have control over the project as the story goes and obviously that wasn’t going to happen.
 

You don’t ask Steven Spielberg for creative control.

In 1984, so let’s put it into context.
 

But you wouldn’t ask James Cameron for that either.

Some people would.
 

How’d that go for them?

Well, you know how it went for them. History is what it is. I could just say that there might’ve been a dinner where certain people were involved where the first question that came out of certain naive people’s mouths was, to Mr. Cameron, “What are your qualifications to direct this movie?” To that I say, I shit you not.

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Created on Dec 31st 1969 18:00. Viewed 0 times.

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