Watercolor Painting Of Vishnu-Lakshmi On The Shoulders Of Lord Garuda
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Lord Vishnu and Mother Lakshmi are the divine couples
responsible for preserving srishti as we know it. While He belongs to the
trinity that otherwise comprises of Lord Brahma, the srishtikarta, and Lord
Shiva, the destroyer; She, as His wife, presides over resources and is the Devi
of affluence, a precondition for preservation. They are a beauteous couple as
portrayed in this superfine watercolor, exuding in their togetherness a world
of bliss. It is Lord Garuda who has hoisted the divine couple up on His magnificent
shoulders. He is the vahana (mount) of Lord Vishnu,
a ginormous example of divine life, unsurpassed in strength and vigor and
martial prowess. In fact, in the Mahabharata, Dronacharya employs a military
formation named after the great vulpine creature.
The setting is against a Mughal-style garden. Lush
vegetation and ample flowering foliage characterise the surroundings of the
deities. The parrot-beaked Lord Garuda supports His masters by their feet, the
stance of His wings as if He is about to take off into the heavens. Lord Vishnu
and His Devi Lakshmi are inauspiciously colored silks (saffron and red) and
gold-and-pearls shringar. She secures Herself in position with a hand on the
vahana's crown, as She sits in close communion with Her Lord. They are looking
straight into each other's eyes, as His multiple weapons-laden arms flank their
composite central figure. A rosy sunset dominates the background, bringing out
the beauty of the delicate sprigs that dangle from the shock of green along the
upper edge of the painting.
Vishnu-Lakshmi Watercolor Painting |
This brilliant work of Watercolor Painting Of Vishnu-Lakshmi art, a painting in a miniature format in
characteristic Kangra idiom of Pahari art style as evolved in many of its
miniatures of around 1800-1810 A. D., one being on this very theme, almost its
exact prototype, considered as one of the great masterpieces of Indian art,
represents the eight-armed Lord Vishnu riding his 'vahana' Garuda. Garuda is
supporting one of his feet on its right palm, while Lakshmi’s, his consort, on
it's left. The painting, though a contemporary work, abounds in the same
magnificence and luster as the earlier Kangra masterpiece of 1800 A. D. Unless
chemically examined or an expert eye analysed, one might hardly distinguish
this contemporary painting from its 1800’ proto-model.
The green-bodied Garuda with red beak has been represented
as couched on a hexagonal golden chowki which an ivory plaque inlaid with
precious gems comprising floral patterns tops. The chowki is placed on a
garden-terrace conceived with flower-beds on char-bagh pattern and a fountain in
front and on its back a column of taller flower-plants and a large tree with
‘mallika’ tree-type creepers suspending on it with its branches extending over
the divine couple like a colorful canopy. Two straight rows of lotuses,
comprising low railings, divide the terrace from the garden. In his four right
hands the Great Lord is carrying an arrow, lotus, goad, and conch, and in his
left, a bow, mace, disc, and a noose. Appropriately bejeweled Lord Vishnu is
wearing his usual ‘pitambara’ – yellow lower wear, and the garland of white
celestial Parijata flowers, besides his multi-crested crown.
Supported on his left thigh, Lord Vishnu has to ride along
with him Lakshmi, his consort. Apart from that his all hands carry one
attribute or the other, those on the left afford Lakshmi from behind dependable
support too. In striking contrast to the blue, Lord Vishnu’s body color, and
yellow, the color of his wear, Lakshmi has been painted with golden complexion,
her body color, and bright orange, her costume, besides her dazzling jewels
which further magnify their glow. Delightfully, Garuda’s green, the sacred
bird’s body color, affords to both, Vishnu’s yellow and Lakshmi’s orange, a
contrast not ever thought of. Lord Vishnu is passionately looking into the eyes
of Lakshmi.
In Indian thought, Lord Vishnu is one of the Great Trinity –
Brahma, Vishnu, and Shiva who represent Creation, Sustenance, and Dissolution,
the only manifest form of God in the Hindu way. The 'Puranic' literature weave
around Lord Vishnu's great magnificence, spiritual aura, and the cult of
incarnation. Devi Bhagavata acclaims Vishnu to be the earliest to emerge after
the Great Deluge and recommence creation. Vishnu fought a thousand battles
against 'asuras', and killed demons like Hayagriva, Madhu and Kaitabha, Andhaka,
Vritrasura, Nemi, Sumali, Malyavan, and many others. Vishnu creates and
sustains and his consort Lakshmi or Shri brings riches, fertility, and
benefaction.
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Created on May 18th 2021 07:04. Viewed 365 times.