Landscape designs - Original Abstract Works of art and Landscape Art

Scenery art, often painted on canvas, is the interpretation of natural scenery like mountains, valleys, trees, streams, and forests. The main subject of the art work is a wide view, with its elements set up into a coherent structure. Although the scenery might not exactly be the key focus of the painting, landscape qualification for the objects and figures can still be an important part.

The sky is practically always represented in landscape art, and weather is often an important element. The panorama is a representation, so it has developed in cultures which may have a complex  landscape paintings for sale   and history of addressing other subjects in artwork. Advanced examples of scenery art exists in American painting and Chinese artwork, both returning well over one thousand years.

Early on landscapes were of mythical scenes, although townscape views represented actual cities, with varying degrees of accuracy and reliability. Various techniques were used to simulate the randomness of natural forms in invented compositions. Degas, for example, created cloud varieties from a crumpled handkerchief held up resistant to the light, and Alexander Cozens used random ink blots to form the basic condition associated with an invented landscape, which he elaborated upon.

This took some time in the history of art for landscapes to become a popular, established subject. Before the 1700s, panorama paintings were considered lower in status than portraiture, which patrons tended to value more. Most works of art that depicted things that occurred outside in character didn't give attention to the mother nature itself, but on some event that happened there or on individuals or still-life. The nature was a backdrop, but not the give attention to the painting.

Panorama painting goes completely again to the 8th 100 years in China, where which strong tradition of shan shui ("mountain-water"), an printer ink painting consisting of a "pure" landscape. The only sign of life in these paintings is an individual sage, or a glance of his hut.

Panorama backgrounds became more and more superior in China and tiawan as the centuries gone by, until it became a classic and much-imitated form of art. Just about all of time Chinese panorama painting, similar to Both roman times, consisted of grand panoramas of imaginary views, usually backed with a number of spectacular mountains.