Watch *True Blood Season 5 Episode 8 * live Stream 29th July 2012 s05e8
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Even to Germany, which is where we find ourselves at the
beginning of Madrigal. Deep in the bowels of the titular corporation, a
dead-eyed suit dips anonymous nuggets into and assortment of condiments,
while a lab technician enthusiastically relays all of the kooky names
they have come up with for the American market. Said suit is told the
police are paying him a visit – when he sees that the ‘Los Pollos
Hermanos’ logo is being disposed of and that the Polizei are poring over
photos of him cosying up to Gus and he walks to the bathroom and
commits suicide via defibrillator. Watch True Blood Season 5 Episode 8
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One
of the brilliant things about Madrigal’s plotting is that Mike’s
re-introduction isn’t a result of one of Walt’s increasingly complex and
Machiavellian schemes – when Mike refuses Walt, Walt stand up, shakes
his hand, and leaves. While it’s obvious that Walt isn’t going to give
up on the World’s Greatest Drug Enforcer that easy, it seems that Walt
knows either consciously or sub-consciously he doesn’t have to do
anything to force him: for one thing, Walt is on a ridiculous roll right
now, and his self-belief is such that he believes things will just
gravitate towards him – hence his assertion that the missing ingredient
of the meth puzzle, methylene, will show up if they just have faith,
which of course it eventually does.
And so it proves, in this
wonderful showcase for Jonathan Banks’ Mike, a truly great anti-heroic
gun-for-hire in the mold of Clint Eastwood or Charles Bronson. Mike is
the definition of old-school – while a horrifyingly violent man by any
standard he’s also got a strict code of ethics and a no-nonsense
attitude.
It’s why we love him as a character, and it allows for
some cracking noir set-pieces here, including his wonderful
interrogation duel with Hank, another student of the old school, where
they exchange probing grimly sardonic barbs (we also got a delicious
tease of a potential Mike backstory episode here – please make this
happen); and Mike’s weary, resigned execution of a fellow soldier that
has betrayed him.
There’s also some wonderfully hard-boiled
dialogue from Mike throughout, worthy of a Dashiell Hammett or James M
Cain novel (“You are a time bomb, and I have no intention of being
around for the boom” “I don’t know what movies you’ve been watching but
in the real world we don’t kill 11 people as some kind of prophylactic
measure”).
However, Mike’s commitment to the old school may prove
to be his undoing. His decision to spare irritating go-between Lydia
could be construed as a ‘half-measure’ – by not killing her and getting
back into bed with Walt he is certainly going against his principles and
instincts. Probably not as much as if he had killed her, though – we’ve
seen throughout the series that Mike has a potential blind spot when it
comes to young women (his own grand-daughter, and the woman in the
memorable monologue he delivers in Half Measures), and it seems like he
doesn’t have it in him to effectively destroy two women’s lives with one
bullet.
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Jul 29th 2012 21:45