Description of Laurence Stephen Lowry Artwork: Piccadilly Circus, London

Lowry was born in Manchester, and lived all his life in or close to town. He studied art at evening categories however created his living as a collector and clerk for a firm of accountants. Lowry conjointly had intermittent conservatory coaching from 1905 to 1925 and thus wasn't a very uneducated creator, as is usually thought. An eccentric and reclusive figure, Lowry lived alone once the death of his mother, following a spartan routine. His art focuses on the economic cityscapes of Manchester and near  Salford, dear representational process the factories and 'matchstick' those that stride purposefully concerning their business. His paintings mix determined and fabricated components.

Of the few London scenes that Lowry painted, this can be the foremost picture and monumental rendering of the cosmopolitan capital. The panorama is painted from a high viewpoint, taking in a very wide read towards Regent Street and Shaftesbury Avenue. the size of this work is spectacular, creating it similar in size to Lowry’s most majestic industrial landscapes. the long-lasting design of the buildings, clad with the far-famed billboards overlook the busy junction. Coca Cola is that the most noticeable complete, and is that the solely product that continues to be publicized  there nowadays. Lowry has not pictured the flamboyant colors of Sixties advertising, determined within the garish-coloured mailing-card that was sent to him by his friend Ted Frape, director of Salford town picture gallery, once he detected Lowry was painting this scene. The impact is to draw America additional towards Lowry’s real interest, the finely painted silhouettes of the active crowd. 

Lowry has caught Piccadilly in hour and a busy crowd bustles around Greek deity. we tend to area unit distanced from the those that Lowry has deliberately reduced to mere outlines of color with the flick of a brush, while retentive their individuality and communicative  movements. Lowry during this work has centered on mass-movement, the patterns associate degreed rhythms of the `hurry of the city’ as individuals run to catch a train or nip past a van and avoid an approaching bus Indeed, while several figures area unit therefore fast they seem virtually diagonal, Lowry during this crowd, has smartly mixed the paces, adding a number of  who trudge, hands in pockets, and figures United Nations agency amble on in voice communication whereas some pause loving every other’s dogs. The circle of fastidiously differentiated figures heading all told directions includes the acquainted cast: girls, children, businessmen, the aged, at the side of their hats, scarves, umbrellas, walking-sticks, handbags, suitcases and even a baby buggy. The choreographed placement of the teams is important for the balance of the composition. Spalding comments on Lowry’s depiction of the crowd: `This is that the secret of Lowry’s crowd scenes. it's not the people, although every has character, however the method they relate to every different, echo or counteract every other’s shapes to make up a poetic rhythm that creates the vitality in his scenes’ 

Piccadilly Circus, London was painted at a time once Stephen Lowry artwork was significantly in demand. it had been enclosed in his far-famed one-person show in London on eleventh October 1961. An exhibition that was therefore widespread that the Daily Herald headlined the show with 'Sold Out - strive once more Later' aboard a photograph of Lowry standing by this terribly painting Shelley Rohde describes the opening: ‘On the morning of the personal read, the customary hush of the Lefevre Gallery, currently affected to Burton Street, was showing bad manners disturbed by hordes of "cheque-waving admirers of the artist.” 

Report this Page