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About me: Hi, My name is Dr. Frank ?The Tank? Beckles, Jr. I?m a Doctor and Professor of Theological & Historical Studies, at a Private School in Augusta, GA. I like the storylines and graphics- it?s cool.. BACKGROUND:1991-1993 I helped create comic book characters, and written stories for Impact Comics And in 1994-1996 worked for Topps Comics/1999-2001, I worked for Ultraverse Comics (A Online Comic Publishing Company, I started up with comic book writer Matt Choinaire) Meanwhile; I written letters and editorials, published in DC Comics (?Aquaman?/Time & Tide Column) Currently, I working on getting a novel published. I own and operate a comic bookstore, and have written and designed thousands of Unofficial Comic Book & Movie Fan Webpages. In, 2000 I was in the Guiness Book of Records, for owning the most websites in the world! HERE ARE SOME OF MY WORK: The Lone Ranger is an American, long-running, old-time radio and early television show created by George W. Trendle (with considerable input from station staff members), and developed by writer Fran Striker. The eponymous character is a masked Texas Ranger in the American Old West, originally played by Paul Halliwell, who gallops about righting injustices with the aid of his clever, laconic American Indian assistant, Tonto. Departing on his white horse Silver, the Ranger would famously say "Hi-yo, Silver, away!" as the horse galloped toward the setting sun. On the radio and TV-series, the usual opening announcement was: This version of the opening credits was first seen in the episode "Lost City of Gold." In later episodes the opening narration ended with: "With his faithful Indian companion, Tonto, the daring and resourceful masked rider of the plains led the fight for law and order in the early western United States. Nowhere in the pages of history can one find a greater champion of justice. Return with us now to those thrilling days of yesteryear. From out of the past come the thundering hoofbeats of the great horse Silver! The Lone Ranger rides again!" Episodes usually concluded with one of the characters lamenting the fact that they never learned the hero's name ("Who was that masked man?"), only to be told, "Why, he's the Lone Ranger!" as he and Tonto ride away. The Lone Ranger's name Although the Lone Ranger's last name was given as Reid, his first name was not revealed. According to the story told in the radio series, the group of six ambushed rangers was headed by Reid's brother, Captain Dan Reid. Some later radio reference books, beginning with The Big Broadcast in the 1970s, erroneously claimed that the Lone Ranger's first name was John; however, both the radio and television programs avoided use of his first name. Some say that Captain Reid's first name was also avoided, but the name Dan did appear in a phonograph record story of the Lone Ranger's origin, featuring the radio cast, issued in the early 1950s and in a miniature comic book issued in connection with the TV show. At least one newspaper obituary upon Fran Striker's 1961 death and a 1964 Gold Key Comics retelling of the origin both stated that the Lone Ranger's given name, rather than his brother's, was "Dan Reid," not "John." It appears that the first use of the name "John Reid" was in a scene[clarification needed] in which the surviving Reid creates an extra grave for himself among those of his fallen Ranger companions. It must be acknowledged that the use of the first name John in the 1981 big-screen film, The Legend of the Lone Ranger, gave it a degree of official standing, although the completely different names found in the 2003 TV-movie/unsold series pilot undercuts that. The name of Captain Reid's son, and the Ranger's nephew, a later character who became a sort of juvenile sidekick to the Masked Man, was also Dan Reid. The Lone Ranger program offered many radio premiums, including the Lone Ranger Six-Shooter Ring and the Lone Ranger Deputy Badge. Some of the premiums used a silver bullet motif. One ring had a miniature of one of his six-guns atop it, with a flint and striking wheel, as used in cigarette lighters, so that "fanning" the miniature pistol would produce a shower of sparks. During World War II the premiums adapted to the times. For example, in 1942 the program offered the Kix Blackout Kit. Some premiums were rather anachronistic for a 19th-century hero. In 1947 the program offered the Kix Atomic Bomb Ring, also known to collectors as the Lone Ranger Atom Bomb Ring. This ring was a miniature spinthariscope that actually had a small amount of radioisotope in it to produce the scintillations caused by nuclear reactions. With its tailfin piece removed, though, the "bomb" body looked like a silver bullet. On radio, the Lone Ranger was played by several actors, including John L. Barrett who played the role on the test broadcasts on WEBR during early January, 1933; George Seaton (under the name George Stenius) from January 31 to May 9 of 1933; series director James Jewell and an actor known only by the pseudonym "Jack Deeds" (for one episode each), and then by Earle Graser from May 16, 1933 until April 7, 1941. On April 8, Graser died in a car accident, and for five episodes, as the result of being critically wounded, the Lone Ranger was unable to speak beyond a whisper, with Tonto carrying the action. Finally, on the broadcast of April 18, 1941, deep-voiced performer Brace Beemer, who had been the show's announcer for several years, took over the role and played the part until the end. Fred Foy, also an announcer on the show, took over the role on one broadcast on March 29, 1954, when Brace Beemer had a brief case of laryngitis. Tonto was played throughout the run by actor John Todd (although there were a few isolated occasions when he was substituted with Roland Parker, better known as Kato for much of the run of sister series The Green Hornet), and other supporting players were selected from Detroit area actors and studio staff. These included Jay Michael (who also played the lead on Challenge of the Yukon aka Sgt. Preston of the Yukon), Bill Saunders (as various villains, including Butch Cavendish), Paul Hughes (as the Ranger's friend Thunder Martin and as various army colonels and badmen), future movie star John Hodiak, Janka Fasciszewska (under the name Jane Fae), and others. The part of nephew Dan Reid was played by various child actors, including Bob Martin, James Lipton, and Dick Beals. The last new radio episode of the Lone Ranger was aired on September 3, 1954. [edit] The Green Hornet The radio series also inspired a spin-off called The Green Hornet which depicts the son of the Lone Ranger's nephew Dan[1], Britt Reid, originally played by Al Hodge, who in contemporary times fights crime with a similar secret identity and sidekick, Kato. In the Green Hornet comic book series published by NOW Comics, the Lone Ranger makes a cameo via a portrait in the Reid home. Contrary to most visual media depictions, and acknowledged by developer/original scripter Ron Fortier to be the result of legal complications,[2] his mask covers all of his face, as it did in the two serials from Republic Pictures (see below). However, the properties have been acquired by separate interests and the familial link has been ignored in the Western character's various incarnations. Not surprisingly, the Lone Ranger-Green Hornet connection is part of Philip Jose Farmer's Wold Newton Universe, which connects disparate fictional characters. [edit] Other media The series also inspired numerous comic books, two movie serials, books, and a live action television series (1949-1957) starring Clayton Moore as the Lone Ranger; Moore's tenure as the Ranger is probably the best known treatment of the franchise. [edit] Film serials The Lone Ranger serials from Republic Pictures are enigmas to many serial and Lone Ranger fans, because they are very rare and hard to find. The existing film material for the first one is incomplete and either subtitled in Spanish or dubbed in French. The hero's identity is unknown even to the audience in the original 1938 serial, with six men suspected of being behind the mask. As the chapters unreel, they are killed off one by one, but each actually appears in the costume in various scenes. As the character played by Lee Powell is ultimately revealed to be the true identity of the Masked Man, that actor is often given sole credit for the part. Two other suspects were played by Bruce Bennett and George Montgomery, then still billed under their respective birth names of Herman Brix and George Letz. Prior to the serial's release in 1938, the radio Lone Ranger's origin had been unknown and hints had been dropped that he might be a historical figure in disguise. An alternate origin for Tonto, with him being rescued in a mine accident, had also been provided on radio. The 1938 Lone Ranger serial is notable for presenting first version of the canyon-ambush and subsequent scenes of Tonto nursing the Ranger back to health and the Ranger swearing vengeance for the first time, which were adapted with minor modifications to become the standard origin of the radio and television versions of the character. Much of the familiar transitional music used in the radio series after 1938 originated in the first Republic serial. The plot device of multiple candidates for the mystery hero being killed off one by one was used again in the Columbia serial Flying G-Men and Republic's The Masked Marvel. The second Lone Ranger serial, The Lone Ranger Rides Again, was released in 1939 and starred Robert Livingston. It gave the Lone Ranger a second companion, Juan, a Mexican played by Duncan Renaldo, and its standard Western plot concerned a battle over land between outlaws and ranchers. The only known copy of this serial was discovered in South America and was Spanish-subtitled and cut together as a long feature and so missing most opening titles and original cliffhanger ending resolutions. Robert Livingston wanted his face to be seen onscreen and consequently appears plain-faced, pretending to be rancher "Bill Andrews" in most dialogue scenes. Owner George W. Trendle disliked the fact that the Lone Ranger appeared without his mask throughout the serial and consequently decided to terminate Republic's license to use the character, see that both serials should be destroyed to prevent their further exhibition after the license expired, and offer the character to Universal Pictures instead. A third Lone Ranger serial was announced in promotional advertising by Universal but never produced. Some have suggested that Trendle retained prints of the Lone Ranger serials but made no effort to store them properly, and they deteriorated, however, Clayton Moore notes in his autobiography that he witnessed the master material for the Lone Ranger serials being burned on the Republic Pictures back lot. Either way, only Spanish-subtitled foreign dupe prints of the two Lone Ranger serials survive on film today. The Serial Squadron, an organization which restores classic movie serials, painstakingly reconstructed a subtitle-free English digital video version of the serial in 2007, re-creating the original opening titles and restoring the original cliffhangers. Given all the differences between the two serials, it is perhaps surprising that Tonto was played in both by Victor Daniels, one of two actors known as Chief Thundercloud.[3] A much more well known and influential adaptation of the Lone Ranger was the 1949?1957 television series starring Clayton Moore (though with John Hart as the Lone Ranger from 1952?1954) and Jay Silverheels as Tonto. The live-action TV series initially featured Gerald Mohr as the episode narrator. He was also narrator for seven episodes of the radio series in 1949, 1950 and 1952. Fred Foy served as both narrator and announcer of the radio series from 1948 to its finish, and became announcer of the TV version when story narration was dropped there. Although George W. Trendle retained the title of Producer, he recognized that his experience in radio would not be adequate for producing the television series. For this, he hired veteran MGM film producer Jack Chertok. Chertok served as the producer for the first 182 episodes, as well as a rarely seen 1955 color special, retelling the origin. The first 78 episodes were produced and broadcast for 78 consecutive weeks without any breaks or reruns. Then the entire 78 episodes were shown again, before any new episodes were produced. It was shot in Utah and California. When it came time to produce another batch of 52 episodes, there was a wage dispute with Clayton Moore (until his death, the actor insisted the problem was creative differences), and John Hart was hired to play the role of the Lone Ranger. Once again, the 52 new episodes were aired in sequence, followed by 52 weeks rerunning them. Despite expectations that the mask would make the switch workable, Hart was not accepted in the role, and his episodes were not seen again until the 1980s. In a radio interview, posted at [1], Clayton Moore acknowledged that he had a dispute with the producers over money and wanted better treatment. That was the reason he was replaced by John Hart. At the end of the fifth year of the television series, Trendle sold the Lone Ranger rights to Jack Wrather, who bought them on August 3, 1954. Wrather immediately rehired Clayton Moore to play the Lone Ranger and another 52 episodes were produced. Once again, they were broadcast as a full year of new episodes followed by a full year of reruns. The final season saw a number of changes, the most obvious at the time being an episode count of the by-then industry standard 39. Wrather invested money out of his own pocket to film in color ? then-perennial third place finisher ABC telecasting only in black and white ? and to go back outdoors for more than just second-unit style action footage, the series having been otherwise restricted to studio sound stages after the first filming block. Another big change, not readily detectable by the viewers, was replacing Jack Chertok with producer Sherman A. Harris. By this time, Chertok had established his own television production company and was busy producing other shows. Wrather decided not to negotiate further with the network and took the property to the big screen, canceling TV production. The last new episode of the color series was broadcast June 6, 1957 and the series ended September 12, 1957, although ABC reaped the benefits of daytime reruns for several more years. Wrather's company produced two modestly budgeted theatrical features, The Lone Ranger (1956) (the cast included former child actress Bonita Granville, who had, by then, married Wrather) and The Lone Ranger and the Lost City of Gold (1958). Exactly what happened remains unclear, but Wrather changed distributors between films, indicating some problem. See also: List of Lone Ranger Television Episodes. An attempt by CBS to revive the series in 1961, Return of the Lone Ranger, did not get past the pilot stage. The Lone Ranger was played by Tex Hill in this production. So far, none of the modern remakes of The Lone Ranger have proven popular, with 1981's The Legend of the Lone Ranger causing much upset among fans when the movie studio filed a lawsuit and obtained a court injunction to prevent Clayton Moore from appearing as the Lone Ranger anywhere else, and then gave a cameo to his unsuccessful TV replacement, John Hart; the film was a spectacular failure. It did not help that lead actor Klinton Spilsbury's lines had to be overdubbed by James Keach, who never even received screen credit. Many fans were also quite upset at the way in which the film depicted the events in the life and career of the Lone Ranger, blatantly disregarding much of the existing background material, which is considered by many to be canon, and changing it. Several important events in the background of the Lone Ranger were completely contrary to the well-established and accepted background material. These included events such as Tonto teaching the Lone Ranger how to shoot guns. In the original concept, Reid was already an established ranger and considerable marksmen. In the film, however, the Lone Ranger has little or no experience with guns and proves to be a terrible shot. When Tonto witnesses what a bad shot Reid is, he suddenly introduces him to a silver bullet, telling him that using silver bullets would allow him to hit his target because silver is pure. Of course, he then becomes a perfect marksman. In this treatment, the Lone Ranger seems like an ineffectual idiot without Tonto. The event in which the Lone Ranger and Silver meet is not only portrayed completely differently than in the radio and TV shows, but it is almost insulting to the fans. Again, Tonto is responsible for Silver and the Lone Ranger teaming up, and the Lone Ranger's initial attempts to ride and train the great white horse are nothing less than lame attempts at buffoonery. Perhaps, the most blatant example of the film's disregard for well-established canonical background information is obvious when John Reid is introduced in the film's beginning, not as an established Texas Ranger as he was in all other versions of the Lone Ranger saga, but, instead, he is a young attorney from the East, who is visiting his brother, the captain of the Texas Rangers. It is only after his brother and the other Texas Rangers are killed in the Cavandish ambush (except John Reid, who accompanied them, not as a fellow Texas Ranger, but only as the brother of Dan Reid) that Reid wants justice and to avenge his brother's death by becoming the Lone Ranger - which is ironic, considering that in the film, he was not an authentic Texas Ranger. In the film, Reid has no clue how to go about achieving his new goal, and, therefore, it is up to Tonto to teach him and show him the way. In an attempt to distance the new film from the original classic series, Clayton Moore was asked to stop referring to himself as "The Lone Ranger" and refrain from wearing the signature costume (particularly the mask) at personal appearances. This request caused a storm of negative publicity. Moore, wearing large sunglasses instead of the mask, was interviewed on news shows across the country about the injunction, and he gained more notoriety than the film did. After the film failed in the theaters, bridges were mended, and Moore was allowed to use the trappings and name of the character, which he did until his death Other comic book characters: Created in 1941 by writer/editor Mort Weisinger and artist George Papp, who remained with the series for almost 20 years, Green Arrow and Speedy first appeared in More Fun Comics 73 (cover-dated November 1941). Green Arrow was also created as an archery-themed version of the earlier character Batman[citation needed], as several similarities between the two characters can be spotted, especially in Green Arrow's earlier incarnation: Green Arrow had a teen-aged sidekick named Speedy just as Batman had Robin; Green Arrow and Batman were/are both billionaire playboys in their secret identities; Green Arrow had an Arrowcar and an Arrowplane similar to Batman's Batmobile and Batplane; Green Arrow had the Arrowcave while Batman had the Batcave; Green Arrow was summoned by the Arrow-signal, just as Batman is summoned to police headquarters by the Bat-signal; in the Golden Age stories, Green Arrow had a clown-like arch-foe named Bull's-Eye who was a thinly-disguised version of Batman's arch-foe, the Joker[citation needed]. Some of these similarities have been explained in-continuity[citation needed] as inspired by a meeting between Green Arrow and Batman in their early careers, after which Green Arrow looked toward Batman as an inspiration (which has been parodied in the story arc "Quiver," when Batman asks whether Ollie ever had "an original idea in his life"). Aside from the obvious allusions to Robin Hood, the Green Arrow character itself was inspired by a few different sources[citation needed], including Edgar Wallace's novel The Green Archer (and the 1940 Columbia Pictures serial of the same name based on the novel), and Fawcett Publications' earlier archery-themed hero Golden Arrow. A Centaur Publications archer hero named simply Arrow preceded all of these characters[citation needed]. Green Arrow's Arrowcar was yellow in color and shaped reminiscent of the land speed record-holder from 1929, the British Golden Arrow. The name Oliver Queen likely[citation needed] alluded to Ellery Queen, a popular fictional detective (and mystery writer) of the time. Another Weisinger-created character called Aquaman also appeared for the first time in that issue, and these two back-up features continued to run concurrently in More Fun Comics until the mid-1940s, and then in Adventure Comics from 1946 until 1960. Green Arrow and Speedy also appeared in various issues of World's Finest Comics until issue 140 (1964). The Green Arrow and Speedy feature was one of five back-up features to be promoted in one of the earliest team-up books, Leading Comics. Green Arrow was one of the few DC characters to keep going after the Golden Age of Comic Books. The longevity of the character was due to the influence of creator Mort Weisinger, who kept Green Arrow and Aquaman as back-up features to the headlining Superboy feature, first in More Fun Comics and then Adventure Comics. Aside from sharing Adventure Comics with him, 258 featured an encounter between a younger Oliver Queen and Superboy. The Green Arrow and Speedy feature had a relatively undistinguished publishing history, though the main exception in this period was a short run in 1958 by artist/writer Jack Kirby. The Flash is a name shared by several fictional comic book superheroes from the DC Comics universe. Created by writer Gardner Fox and artist Harry Lampert, the original Flash first appeared in Flash Comics 1 (1940).[3] Once nicknamed the Scarlet Speedster, all incarnations of the Flash possess "super-speed", which includes the ability to run and move extremely fast, use superhuman reflexes and seemingly violate certain laws of physics. Thus far, four different characters, each of whom somehow gained the power of "super-speed", have assumed the identity of the Flash: Jay Garrick (1940-), Barry Allen (1956-1985, 2008-), Wally West (1986-2006, 2007-), and Bart Allen (2006-2007). The second incarnation of the Flash, Barry Allen, is generally considered the first hero of the Silver Age of comic books and the superhero has remained one of DC?s most popular ever since. Each version of the Flash has been a key member of either the Justice Society of America or the Justice League, DC?s all-star teams. Wally West has recently rejoined the Justice League, and Barry Allen recently returned to life in the pages of Final Crisis. The Barry Allen version of the character (with Wally West elements) was featured in a live action television series in 1990, starring John Wesley Shipp. The Wally West version of the Flash (but with many elements of Barry Allen's story) is featured in the animated series Justice League. Created By Gene Roddenberry (1966) & Written by Dr. Frank Beckles, Jr. (2004) IMAGINE COMICS: STAR TREK THE CONTINUUM: -A NEW CREW OF YOUNG OFFICERS- OUT OF THE STARFLEET ELITE UNIT "RED SQUAD"/IN THE DISTANT FUTURE ALTERING MISTAKES OF THE PAST AND RIGHTING THAT WHICH IS WRONG & SAVING LIVES! THE SAGA BEGINS AFTER THE DEATH OF CAPTAIN KIRK (STAR TREK: GENERATIONS/THE MOVIE)-STAR DATE 182004 CAPTAIN MATTHEW CORNIELUS GAGSTON OF THE UNINITED STAR FEDERATION SHIP- THE U.S.S AIREAL, THE FIRST FEDERATION STARSHIP TO HAVE ROMULAN TECHNOLOGY & THE ABILITY TO TIME TRAVEL THROUGH DIMENSIONS. DURING ONE OF IT'S MANY JOURNEYS IS ATTACKED BY A TIMETRAVELER- CALLED "LAZERUS", (FROM ORIGINAL EPISODE 'STAR TREK' 1966); WHO HAS ESCAPED HIS ANTI-MATTER TIME TRAP/ SET UP TO KEEP THIS EVIL MADMAN FROM DESTROYING TWO UNIVERSES. THE ONLY ONE WHO CAN DEFEAT HIM IS THE MAN & CREW WHO FIRST PUT HIM THERE, WHICH IS CAPT. KIRK & THE U.S.S ENTERPRISE! LAZERUS HAS RE-APPEARED ON ANOTHER PLANET AND THREATENED THE INHABITANTS, WITH HIS BITERNESS & BARBARISM. CAPT. GAGSTON WITH HIS 1ST OFFICER- LT. COMMANDER ALEXANDER POPE DECIDE TO TRAVEL THROUGH TIME AND RESCUE JAMES T. KIRK, BEFORE HE IS KILLED. BUT AFTER TRAGIC EVENTS OF THE DEATH OF HIS SON (SEARCH FOR SPOCK)AND HIS MISSING COMRADES: SPOCK & McCOY, MATT KNEW KIRK WOULD BE UNWILLING TO HELP SAVE THE UNIVERSE AGAIN, ESPECIALLY AFTER GETTING KILLED DOING IT THE LAST TIME. SO GAGSTON & POPE GO BACK IN TIME EVEN FURTHER TO SAVE HIS SON FROM BEING KILLED BY A KLINGON AND BRING KIRK,HIS SON,SPOCK,McCOY, AND THE WHOLE ENTERPRISE CREW INTO THE FUTURE WITH THEM. TOGETHER -TWO STARSHIPS, TWO CREWS HELP RESTORE BALANCE TO THE KNOWN UNIVERSE AND CAPTURE LAZARUS AND BAN HIM TO THE NEGATIVE "TIME TRAP" (ALTERNATE UNIVERSE)FOREVER!! BUT MATT'S SON -TIMOTHY IS MORTALLY WOUNDED IN THE PROCESS. THE EMOTIONAL STRUGGLE BETWEEN LIFE AND DEATH BRINGS ALL THE OFFICERS AND CREWMEN TOGETHER, MEANWHILE- DR. McCOY & KIRK'S SON- DAVID, OPERATE ON THE BOY AND SAVE HIS LIFE. KIRK & GAGSTON BECOME FRIENDS, AND EACH CAPTAIN TAKES HIS CREW AND CONTINUE THEIR SEPARATE JOURNEYS TO BOLDLY GO WHERE NO MAN HAS GONE BEFORE... CREW OF U.S.S AIREAL (CREATED BY DR. FRANK BECKLES: CAPTAIN MATTHEW GAGSTON- JEWISH 30YRS OLD/A NAZERITE LT. COMMANDER ALEX POPE- 21YRS A MAJI (SIDEKICK LIKE ROBIN/SPOCK) LT. TERA PATRICK- AFRICAN-AMERICAN WOMAN CHIEF ENGINEER- ADRAIN PAUL CHIEF MEDICAL PERSONEL- DR. STEVE FORD (SON OF PRESIDENT GERALD FORD) NAVIGATOR- LT. JASON CONNERY NAVIGATOR- ENSIGN JAKE SISKO (SON OF CAPT. BEN SISKO/"STAR TREK: DEEP SPACE NINE") CADETS IN TRAINING- TIMOTHY GAGSTON 15YRS OLD LEVI POPE (ALEX'S SON)-13YRS OLD COOL SCIFI WEBSITES: www.geocities.com/scifichannelfan/theiceman.html www.geocities.com/startrekthecontinuum/startrekthecontinuum.html www.geocities.com/hollywoodwriters/hollywodwriters.html www.geocities.com/Hollywood/Hills/6599/ www.geocities.com/drinkthatwhiskey/ www.geocities.com/ultraversecomics/ultraversecomics.html www.geocities.com/captainbeckles/captainbeckles.html www.geocities.com/thesonsofbatmanandrobin/thesonsofbatmanandrobin.html www.williamshatner.com www.beckles.com www.davidsoul.com www.geocities.com/detectivefrankbeckles/detectivefrankbeckles.html www.geocities.com/webpageforlegends/webpageforlegends.html(DEDICATED TO HOLLYWOOD STARS WHO HAVE SONS..) www.geocities.com/supermantommorrow/supermantommorrow.html www.onelovecruise.com www.myspace.com/becklescomics http://ultraversecomics.shutterfly.com www.beckles.com www.beckles.net www.myspace.com/becklesgeneration www.myspace.com/becklesbookexchange http://starskyandhutch.shutterfly.com http://frankandadrian.weddings.com http://greenandbeckles.weddings.com www.myspace.com/franklynvictorbecklesjr www.myspace.com/franklynvictorbeckles www.myspace.com/frankvictorbeckles www.myspace.com/frankbecklesjr www.myspace.com/jasonversusterminator www.myspace.com/beckleswebsite www.myspace.com/beckleswebpage www.myspace.com/becklesfamilychristmas www.myspace.com/becklesfamilytree www.myspace.com/becklesandson www.myspace.com/becklesandgreen |
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